Roman je naglašeno hibridni žanr koji može sadržavati i elemente tragedije. Molitelj /suppliant/ u tragedijama i tragičnim naracijama redovito ispunjava četiri uvjeta: a) žensko je biće ili je osoba podređena u društvu; b) prijeti joj nasilje i često smrt; c) ne može govoriti ili ne može prenositi obavijesti; d) nije ni protagonist ni antagonist. Anera iz romana Ognjište književnika Mile Budaka zadovoljava nabrojene uvjete, s time što dijelom odstupa u posljednjem. Ona dobiva veliku količinu prostora u romanu i inteligencijom je bliska protagonistu Lukanu. Anera također dobrim dijelom ispunjava uvjete koje Lynette Porter postavlja pred junaka, no nedostaje joj element pobjede nad zlom koju ostvaruje protagonist Lukan. S Anerina bi stajališta Ognjište bilo tragedija osvete – ali njezine karakteristike ne određuju roman u žanrovskoj cjelini.; As a manifestly hybrid genre, the novel can contain also elements of tragedy. In tragedies and tragic narratives, a suppliant regularly fulfils four characteristics: a) she is a female or a person in a subordinate social position; b) she is threatened by violence and often death; c) she cannot speak or communicate her problems; and d) she is neither a protagonist nor an antagonist. Anera from Mile Budak’s Ognjište (The Hearth) presents all of the mentioned characteristics, with only a partial deviation from the fourth one. She is given a great amount of space in the novel and in intelligence is very close to the hero Lukan. Anera also fulfils, to a good degree, the conditions placed before a hero by Lynette Porter (an expert in English, rhetoric and composition), lacking, however, elements of victory over evil, which is achieved by Lukan. From Anera’s position Budak’s novel could be described as a tragedy of revenge, only that her characteristics do not determine the novel’s genre-defining whole.