Od godine 2018. dostupan javnosti, arhiv Ingmara Bergmana potaknuo je niz čitanja i revalorizacija, prije svega, tekstualnog dijela njegova opusa. Promišljajući odnos Bergmanovih rukopisa i filmova, u radu se ukazuje na značaj radnih dnevnika (1938. – 2006.) i drugih tekstualnih fragmenata za shvaćanje Bergmanova arhiva, u cjelini, kao umjetnosti. Zaključna analiza filma Pričesnici (Nattvardsgästerna) ilustrira kako isprepleteni dijelovi arhiva pridonose shvaćanju posebno ranije previđenih afektivnih slojeva, nadovezujući se i na teze o potrebi razrade uvriježenih filozofskih i srodnih pristupa Bergmanovu radu.; Publically available since 2018, the Ingmar Bergman Archives gave rise to a wide range of readings and re-evaluations of primarily the written part of his oeuvre. While considering the relation between Bergman’s manuscripts and films, the paper points out the significance of his workbooks (1938 – 2006) and other textual fragments for understanding the Archives as a work of art. The concluding analysis of the film Winter Light (Nattvardsgästerna) illustrates how the intertwined parts of the Archives contribute to understanding its appeal throughout the history of readings. By highlighting the previously neglected affective layers of the film, the paper also builds on hypotheses about the need to expand on existing philosophical and theoretical approaches to Bergman’s work.