The Veprinac area has undergone various political and architectural changes over the centuries. By its belonging to the Kastav estate it largely depended on the will of its masters, and they were numerous - we have the first official mention of Veprinac during the reign of Devinski counts in the XII. century. Although Veprinac was under many different rulers (Walsee counts, Habsburgs, Jesuit order), the most important for its sacral development, in its very beginnings, were the Devinski counts, who laid the foundations of important sacral buildings. This work is dedicated to the equipment of the parish church of St. Mark in Veprinac, which throughout history has gone through several construction phases and renovations – some of them reach out to Romanesque period with its last renovation being in the XIX. century. The curch has, due to difficult political and historical circumstances, also changed the name of its titular. Five baroque marble altars, created during the same restoration in the XVIII. century, can be associated with a common author, while certain sculptures from these altars, their stylistic expression and composition are associated with the workshops of sculptor from Rijeka, Antonio Michelazzi and that of Sebastiano Petruzzi, residing also in Rijeka since the 1770s. The choir pews are another special feature of the church, and they stand out with their expression. They were probably created within the workshop of Mihovil Zierer, which at the end of the XVII. and in the first decades of the XVIII. century, operated in Rijeka, Krk and in the area of the Kastav estate. The work also touches on the important discovery of several sketches of the altar of God's tomb, commissioned from famous Tyrolean sculptors, but never completed for the St. Mark’s church.